By the middle of the XIX century a scientific theory of Champagne (sparkling wine) making has been developed; being armed with such theory and having improved the technology the manufacturers achieved noticeable increase in production output. The first peak of the sparkling wine culture occurred during the so-called Belle Epoque – the period of the palaces floating in the Atlantic, gorgeous balls in the Grand Hotel halls in the capital cities and resorts.
During the gold wild twentieth years, at the night performances in cabarets and variety shows Champagne was popular as something that elated. Creation of the Russian Champagne is connected with the name of the Prince Lev Golitsyn, the well-known wine-maker. Having studied French wine-making, the “father of the Russian Champagne” made up his mind to revive Champagne making in Russia. Earlier, a number of wine-makers and entrepreneurs made efforts to establish Champagne wineries, but such efforts were not crowned with success for whatever reasons. But in 1899 the Prince Lev Golitsyn, owing to his knowledge and tenacious efforts, produced a brilliant tirage of Champagne – 60 thousand bottles, and strived for the impossible: the Russian Champagne was ranked the best (!) at the jubilee World Industrial Exhibition in Paris in 1900. Now, that the enterprising French prohibited usage of the name ‘Champagne’ with reference to any sparkling wine produced outside Champagne province, they have obviously forgotten as more than 100 years ago they, with their own hands, presented Grand Prix, the highest reward for quality, to the Russian wine-maker. But at that time the members of the degustation commission were simply shocked by the fact, that the Russian inscription “The Prince Golitsyn Factory” was found under the foil that hided the label.